Music of the Distant Stars

Music of the Distant Stars - Alys Clare

England, the 1080s

 

The singer watched as the young girl with the copper-coloured hair and the boyish figure wrested open the door of the little house and disappeared inside. You hear me, don't you, lass? he thought. You listen to my song and you go rigid as you perceive my pain. You have a good heart and I'm sorry that I frighten you.

He heard footsteps on the path: a quick, light step that he recognized as belonging to the older woman who lived in the little house. He slipped back into his hiding place and watched as she hurried up to the door and let herself in. She was a healer; his sense of smell was strong, and he could detect her profession from the scent of her clothes, as he could from those of the copper-haired girl. The house itself smelt of clean, fresh things: of herbvs and fresh-cut grass. He liked the smell. He liked being close to the house. It gave him comfort, of a sort.

But there was no real comfort, not any more. His world had come to an end. He was alone, away from the place he had known all his life. He felt the great surge of anguish rise up in him, and a few notes of his song emerged from his lips. As if the music lanced his pain, for a few moments it eased.

Music. There was always the music.

 

This is the third of the Aelf Fen Mysteries featuring the healer Lassair and written by Alys Clare, the author of the perhaps better-known Hawkenlye novels. The Aelf Fen Mysteries are set in a slightly earlier period than those, soon after the Norman Conquest when the victors of Hastings were still hated strangers in the land. Two of Lassaire's uncles had died at Hastings, as had the fathers, husbands, brothers and sons of much of the population – a thing not easily forgotten or forgiven.

 

Lassair is a seventeen-year-old apprentice healer, whose family live in the Fenland village of Aelf Fen, though she herself now lives and studies with her aunt, the local wise woman, herbalist, midwife and – whisper it! – witch.

 

At dawn one midsummer morning, Lassair sets out for the community's burial island, sent by her aunt to put a fresh flower garland on the stone slab that covered the grave of her recently deceased grandmother, Cordeilla. She also has with her the symbols of earth, air, fire and water intended to summon spirits to help her in her prayers. It is still dark, but Lassair has no trouble finding the path through the treacherous swamps and bogs, for she is a dowser who can "see hidden tracks and pathways that are all but invisible to others." She is very sensitive. She is also very superstitious.

 

Suddenly my feet seemed to freeze to the ground and I could not move. I stood on the narrow path, my heart thumping so hard it hurt. [...] The path still glowed faintly, but on either side the land was clothed in its thick-leafed summer foliage, providing far too many places where someone bent on harming me could hide.

I was not afraid of ill-intentioned humans, however. The entities I dreaded had no need of hiding places, for they were, I was quite sure, perfectly capable of invisibility. They could creep up me without my suspecting a thing, and the first I would know was when icy fingers clutched at my throat and supernaturally strong arms thrust my head down into the black waters till I drwoned and went to join their grey, shimmering company ...

With a great effort, I commanded myself not to be so fanciful and cowardly.

 

Teeth chattering with fear, she makes way way across onto the island, only to discover that someone has moved the slab of stone. And peering in, that there are now two bodies in the grave.

 

Whoever moved the slab of stone put that other body in there, she realises. And that person wanted to conceal the body. That person was a murderer!

 

This is all too much for her, and she goes racing back to her aunt.

 

The dead body turns out to be that of a pregnant girl much the same age as Lassair herself. Her name was Ida, and she was seamstress to a rather unpleasant Norman lady. It also turns out that that Norman lady's fiancé, Sir Alain, was rather fonder of Ida that he was was of the Norman lady. Was he the murderer? No one could possibly suggest it, for not only was he a Norman, but he was the local justiciar. And anyway, Lassair rather likes him.

 

No, the chief suspect seems to be a certain Derman, the village idiot, who "looks like a gargoyle and frightens little children", but himself has the mind of a child. And Derman is the brother of the gorgeous Zarina, whom Lassair's own brother, Haward, plans to marry. Only Zarina won't marry him because, she says, she will not impose her brother on him. So wouldn't it suit Haward very well for Derman to be found guilty of the murder? – or so some people can't help wondering.

 

But who is the "invisible singer", a minstrel who seems to have been in love with the dead girl? He is surely unlikely to have been the murderer, but he could have been the father of her unborn baby.

 

All very complicated – and full not only of the magic and mystery we have come to expect from this very special author, but of a love of, and knowledge of, the English countryside that is, in my experience, quite unique among medieval mystery writers.